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Read, Reviews
Glass Animals’ “Heat Waves” Proclaims Positivity in Vulnerability
The release of Glass Animals’ third and latest single off of Dreamland, “Heat Waves”, offers a fiery p...
By Harper Beattie | July 08, 2020
Album Reviews, Read, Reviews
Phoebe Bridgers Explores Trauma and Tragedy on Sophomore Record “Punisher”
On her long-awaited consecution to her 2017 debut, Phoebe Bridgers showcases prolific lyricism and meticulous melodies i...
By Harper Beattie | July 02, 2020
Films, Reviews
Why Taika Waititi’s “Boy” Deserves a Second Look
Taika Waititi’s sensibilities have always been at play. Before Thor: Ragnarok or his directing style was displayed...
By David Ginsburg | June 26, 2020
Album Reviews, Read, Reviews
RIZ LA VIE’s “Feed.” is a Cosmic Tool for Higher Introspection
RIZ LA VIE’s fourth studio EP released on June 4th is an exploration of the link that binds heart and mind in a so...
By Harper Beattie | June 24, 2020
Films, Reviews
Why Ousmane Sembène’s “Black Girl” Deserves a Second Look
Ousmane Sembène wants to remind you that the end of slavery was not the end of slavery. Senegalese writer/directo...
By David Ginsburg | June 22, 2020
Films, Reviews
The Shadows of History Are in the Spotlight of Spike Lee’s “Da 5 Bloods”
Director Spike Lee continues to press buttons and pull the right strings, begging America to wake up in his new film, Da...
By David Ginsburg | June 19, 2020
Films, Reviews
Silence Speaks Louder Than Words in Kitty Green’s “The Assistant”
One of the first indie films to tackle the #Me-Too Movement simmers on screen, hitting close to home in it’s Weins...
By David Ginsburg | June 13, 2020
Album Reviews
Geyser Makes a Scene on Debut EP “Cover Your Eyes”
Minneapolis four-piece Geyser arrives on the alt-rock scene with impassioned debut, Cover Your Eyes. There are few thing...
By Harper Beattie | June 12, 2020
Films, Reviews
Male Pride and Killer Style in Quentin Dupieux’s “Deerskin”
Writer/director Quentin Dupieux is a master of the strange and darkly absurd. His films exist in a world all of their ow...
By David Ginsburg | June 04, 2020
Films, Reviews
Today is Yesterday’s Tomorrow in Marc Collin’s “Le Choc du Futur” | SXSW 2020 Review
I’m going to begin at the end. Right before the credits roll on Marc Collin’s debut feature, Le Choc d...
By David Ginsburg | May 07, 2020
Films, Reviews
Tomorrow’s Workers Still Facing Automation in “Lapsis” | SXSW 2020 Review
Writer/director Noah Hutton predicts the future in his latest film Lapsis. He has taken an inevitable technological adva...
By David Ginsburg | April 04, 2020
Films
A Life of Hard Truths Explored in “I’ll Meet You There” | SXSW 2020 Review
Thanks to South by Southwest festival sending screeners I was finally able to view and now review writer/director Iram P...