Willie Reviews Remington Super 60’s “Fake Crush”
Norwegian indie pop group Remington Super 60’s new single “Fake Crush” twists...
Willie Reviews Nathan Schram’s “Oak and the Ghost”
Composer and violist Nathan Schram’s album Oak and the Ghost takes a terrifying r...
Willie Reviews Waldo Witt’s “Randall”
Waldo Witt’s Randall EP combines the synth-pop sadness you know and love with a p...
Single Review: Follow Me Dark’s “As She Feeds”
Californian alternative metal band Follow Me Dark releases its first song. “As Sh...
Single Review: Dreamers’ “Desensitize”
The new single by Brooklyn rockers Dreamers puts them somewhere between our current...
Willie Reviews Bonnie “Prince” Billy’s “I Made a Place”
Bonnie “Prince” Billy’s new album I Made a Place may just lull you into its countrif...
Music and You (and Everyone Else)
Why do you like the music you like? It’s a hard question to answer, and it’s on...
Willie Reviews Cate Le Bon and Bradford Cox’s “Myths 004”
Cate Le Bon and Bradford Cox’s collaborative EP Myths 004 drags them both away fr...
Single Review: Yoke Lore’s “Bravado” and “Body Parts”
Two bright new singles from Adrian Galvin’s project Yoke Lore, “Bravado” and ...
Willie Reviews Meara O’Reilly’s “Hockets for Two Voices”
Composer Meara O’Reilly’s Hockets for Two Voices bets it all on a single compos...
The Halloween Found Music Review
This Halloween, pay attention to the origin of those frightening sounds around you....
Willie Reviews Mary Halvorson and John Dieterich’s “A Tangle of Stars”
Guitarists Mary Halvorson of Code Girl and John Dieterich of Deerhoof come together...
