Willie Reviews loscil’s “Equivalents”
Seasoned ambientist Scott Morgan, AKA loscil, wants us to hear music the way we marvel at nature—c...
Willie Reviews Cross Record’s “Cross Record”
Emily Cross’s Cross Record has a new record called Cross Record, and it takes across a pric...
Willie Reviews Lingua Ignota’s “CALIGULA”
Singer and instrumentalist Kristin Hayter’s project Lingua Ignota translates to “...
Willie Reviews Ty Segall’s “First Taste”
Ty Segall’s new record, First Taste, takes pride in all the elements it can borrow without ...
Music for the Home: A New Guide to Audiodecorating
You’ve just bought a new house and set up all your tables and chairs. The walls are covered...
Willie Reviews Angie McMahon’s “Salt”
Australian singer-songwriter Angie McMahon’s debut album, Salt, takes place in a universe w...
Willie Reviews Six Organs of Admittance’s “For Octavio Paz”
Guitarist Ben Chasny’s acoustic, eternal, and sometimes psychedelic project Six Organs of A...
Dream Setlist: Yellow Magic Orchestra
The Japanese trio Yellow Magic Orchestra blazed through seven studio albums in just six years...
Willie Reviews Wilson Tanner’s “II”
Australian ambient electronic duo Wilson Tanner has released a second album and they have called it ...
Willie Reviews Blood Orange’s “Angel’s Pulse”
It would already be a truly amazing feat to rattle off fourteen musical ideas in order to pro...
Willie Reviews Rima Kato’s “Sing-Song”
A dreamed delight And sing-song walk Rest quiet, signifying bright. As do Kato and Rossetti t...
Willie Reviews Bill Callahan and Bill MacKay @ the Cedar Cultural Center, Minneapolis
Bill Callahan’s return to the Cedar on Saturday night brought with it the quiet reflections...
